Mockument
Cut/Gash/Slash—Adachi Masao—A Militant Theory of Landscape
The Permanent Collection
Art, Awakening, and Modernity
One Hundred Years Closer to Communism
Contemporary Artistic Revolutions
Art Periodicals Today (Special Issue)
Mimesis, Expression, Construction
Mashrou' Proletkult
The Arab Nude
Al Musawwirun
Trans-Oriental Monochrome
Art in Office
Critical Machines
Lebanese Painterly Humanism
Art & Labor: Skill, Deskilling, Reskilling
Profiles: Collecting Art in Lebanon (Exhibition at the American University of Beirut Art Galleries)
Transition in post-Soviet Art (The "Collective Actions" Group before and after 1989 (CEU Press Book) Foreword by Boris Groys
Khalil Saleeby
Dictionary of Moscow Concept
Strashilki (little horror poems)
The Transition of the Soros Centers to
JFL: What Does Why Mean?
JPEG Devouring Its Own Pixels
The Music in Me (audio)
SCCA Chisinau
 

W@r aga1nst the F1lters:

Stenogram of the General Meeting of the Artists of the Union of Soviet Artists of Moldovia (15 May, 1951)

A Lebanese rappel à l'ordre

Stuckism (A Conversation)

The Hemispheres and Continents of the Contemporary Global Art World

The Sailboats and Swans of postcommunism

What Was Contemporary Art?

On Artivism (In between Culture and Politics)

Les Ungovernables: The 2012 Triennial at the New Museum

Iconoclash in Chisinau: Wings versus Torches, or the Rock-Paper-Scissors Dialectics